For DJs, producers & events

Share your
frequency

Your music already lives in a dozen places. Your bio has one link. FREQS is the page that holds all of it — your tracks, your releases, your booking email — at freqs.app/yourname.

Three minutes to publish · No fee · Your page, your link

See a live page →

The problem

Twelve places. One link in bio.

Tracks on SoundCloud. Releases on Bandcamp. Dates on Resident Advisor. Clips on Instagram. A booking address buried in somebody's DMs.

Generic link-in-bio tools were built for everyone, so they understand none of it. They know what a link is. They don't know what a B2B set is, or why the RA page matters.

And the platforms that do host your music own the relationship. The algorithm decides who sees you. You're renting an audience you built.

How it works

Live before your coffee's cold.

01

Sign up

Google or an email link. No password to forget, no form to fight.

02

Build it

Name, photo, genres, the places your music already lives, one track. About three minutes.

03

Share it

freqs.app/yourname goes in your bio. Pull up the QR at a gig and people land on your page.

What you get

A page that sounds like you.

Your track plays on the page

Drop a SoundCloud link and it plays right there. No bounce, no dead end.

Every link in one stack

SoundCloud, Bandcamp, RA, Instagram, your site — in the order that makes sense for you.

Booking, front and centre

A single Book me button straight to your inbox. Promoters don't have to hunt.

A QR for the floor

Pull it up at a gig. One scan and they're on your page, not searching your name.

Genres that mean something

Twenty real ones — dub techno, UK garage, jungle — not "Electronic".

Yours to change

Edit or delete it whenever. No approval queue, no support ticket.

The thesis

Link-in-bio is unbundling by scene.

Horizontal tools win the mass market and lose every vertical inside it. The same pattern has already played out in newsletters, in video, in commerce: a generic layer gets replaced, community by community, by something that speaks the language.

Underground electronic is an unusually good first vertical. It has its own infrastructure, its own vocabulary, and a dense, high-trust network where things spread by word of mouth and by being seen in someone's bio — not by paid acquisition.

Scene-native

Genres, roles and links that match how artists actually describe themselves.

Owned, not rented

A page and a link the artist controls — not a profile inside someone else's feed.

Distribution is the product

Every published page is a link in a bio pointing back at the network.

Where we are

Early. The product is live and self-serve, and we're hand-onboarding the first cohort of artists — DJs, producers and events — before opening it up. If you invest in creator infrastructure or music tech, this is the moment to talk.

Get the deck →

Roadmap

Pages first. Then the scene.

Phase 01

Artist pages

Profiles, the player, QR, self-serve publishing and editing.

Live

Phase 02

Events & labels

Line-ups where every name links to a real artist page. Labels get a roster.

Next

Phase 03

Discovery

Browse the scene by genre, city and night — not by what an algorithm promotes.

Planned

Phase 04

Direct booking

Availability and enquiries between promoters and artists, without the DM spiral.

Planned

Put your frequency
in your bio.

Free, three minutes, and the link is yours. Delete it any time you like.

Claim freqs.app/yourname
FREQS — share your frequency